What We Get From Celtic Mythology


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James MacKillop

Now in this account we find two symbolic objects associated with him, significant for the proposed with Sucellus : a cauldron and a gigantic forked branch. The cauldron of the Dagda, which together with other similar objects of Irish and Welsh mythology has been claimed by such a scholar as Professor R. Loomis as one of the prototypes of the. It is said to provide soup for whoever comes to it, and it is inexhaustible 2.

The texts, indeed, do their best to make the connection of the Dagda with an unending supply of food, and especially of soup, perfectly clear.


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Before the start of the battle the Dagda is sent into the camp of the Fomorian enemy to spy. The second symbolic object of the Dagda, the gigantic forked branch, is even more suggestive of a connection with Sucellus, as it partakes clearly of the double nature of the hammer of Sucellus : thunder-weapon and fertility object. This forked branch, which may be a prehistoric predecessor of Sucellus' hammer, is described as too heavy for eight men to carry 4 , and as primarily a weapon.

Nothing could be clearer than this suggestion of the symbolism of the Dagda's emblem, to convince us that it is seen here as a weapon of a god of the stormy sky. And yet the same Dagda resides in an underground fairy dwelling, the famous Brugh- na-Boyne, partaking thus like Sucellus of sky and underworld at one and the same time e. Indeed, in still another passage of the same text we are told of a second furrow-drawing exploit of the Dagda, for which he receives in payment a cow with the power to attract other cattle by its lowing 2.

Both in function and attributes there seems then a surprising correspondence between the Dagda and Sucellus. Not only are the Dagda's cauldron and forked branch similar to the olla and hammer of Sucellus, but as god of sky and underworld, as deity presiding over the produce of field and herd, he exactly those functions postulated for Sucellus. Yet a further point of resemblance which seems to clinch the argument will become clear later on 3. But before mentioning that point it will be well to show that the usual female companion of Sucellus, who is called Nantosuelta in an inscription from Sarrebourg 4 , finds an equally surprising parallel in Irish mythology.

The name of Nantosuelta has given rise to various explanations of which two seem significant. The name has been connected, in the first place, with the Celtic word for war. She is also,. Now it is almost uncanny to observe how both the explanations of her name and the two symbols find confirmation in what we know of the Irish goddess, Morrigan, the goddess of war and death.

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We shall see, however, that this goddess is also frequently connected with water so that the double explanation of the name of Nantosuelta may be due to a fusion of death-war and water ideas. If we now recall that Nantosuelta has the crow as her symbol and is even represented as winged it will seem of considerable importance that the Morrigan is constantly connected with the crow and that, on various occasions, she changes into that bird, an appropriate enough transformation for a goddess of the battlefield.

There are at least three separate pieces of evidence for this power of 3 :. When he rejects her she disappears, but hampers him when in single combat at another river ford, is wounded by him, and flies away in the shape of a crow 4. When he drives her away she disappears, but as a black bird on a tree close by threatens to hurt him in every conceivable way 2. Bodb and Macha, rich the store, Morrigan who dispenses confusion After the battle they announce the victory to mountains, rivers and river-mouths 6.

Indeed, in Irish sagas disaster is often portended by. Bodb or Morrigan washing bloody garments, heads or arms at a ford i1.

It would lead too far to collect here all the evidence that establishes that Morrigan, Bodb and Macha, in this late period of Celtic mythology, are more or less identical as goddesses of war and death, and that in this function they are imagined as crows hovering, over or near the battlefield. While the crow-symbol goes a long way to support the proposed identification of Nantosuelta and the Morrigan, much light is shed on another symbol of Nantosuelta by a further study of another aspect of the Morrigan. We have seen that Nantosuelta is represented with a round house, which has been explained tentatively and not very convincingly as a bee-hive 2.

It seems, indeed, that the Morrigan was commonly thought of as emerging from these mounds which were imagined as partly subterranean and circular in shape. So we find Morrigan's sid transformed into the round house of. Both these interpretations find ample confirmation in the case of the Morrigan.

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She is a goddess of war and death and appears for preference at river-. Nantosuelta is accompanied by a crow ; the Morrigan is inseparable from the same bird into which she frequently changes and which is the bird of the battlefield par excellence. Lastly Nantosuelta's round house finds its most satisfactory explanation in the round faery habitation of her Irish counterpart.

It seems very likely to us that this abbreviation has to be restored toM argi or similar, and can then be connected etymologically with Morrigan, the Death Queen, as an earlier Celtic form of the same name. The probability of this suggestion is strengthened by the fact that a stone representing Sucellus and his female companion has been found in a Roman cemetery not far from the site of the Roman station of Margidunum near Nottingham 2 ,which thus would. Relief of the hammer of Sucellus p. An unpublished votive relief to Sucellus comes even from Margidunum itself. The reason for abbreviating this divine name to M.

The evidence for the equation between Sucellus and Dagda, and between Nantosuelta and Morrigan, finds one last piece of confirmation. While we have seen that Sucellus and Nantosuelta frequently occur as companions, we have treated their Irish equivalents up to now as if there existed no connection between them.

Celtic Mythology in Context

The Dagda saw her bathing in the river Onius, near one of his faery dwellings, and there made her his wife Q. This final point of a connection between the Dagda and the Morrigan seems to add extraordinary weight to our other proofs. The Dagda and the Morrigan s em to have continued an existence as figures of romance right down through the Middle Ages.


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Sc, F. Muttergottheiten col. He ichel- heim , Sucellus by Professor Keune ; P. Werken uitgegeoen door de Faculteit van Wifsbegeerte en Letteren. Heichei,- heim, in Man 16 l! Maponus ; H. Ma ver, Wien. Wright, Journ. Richmond, Arch. VII, art. The Celtic Matres survive similarly in Mediaeval literary traditions, folklore and sculptures.

Heichelheim in Pauly-Wissowa, R.

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Matres col f. Mars Nodens, the Celtic Nudd or Nuada, should be mentioned in this too. Nodens ; N. Ioliffe, Arch. Nudd has been shown to be responsible for various features of the Arthurian Legend.

Celtic mythology and folklore

Brown, Origin of the Grail Legend , Passim,. Toutain, Les cultes patens dans l'empire romain, III , ; op. For further analogies between Sucellus and Dagda cp. Mac Culloch, Religion of the Ancient Celts, , 77, for of this name. Loomis, Celtic Myth and Arthurian Romance, , f. Alle these three functions would, of course, correspond to those of Sucellus. V , pp. Loomis, op. Professor Brown, op. Keune, in Pauly-Wissowa, R.


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  8. Sucellus ; Lambrechts, op. D'Arbois, op. It was actually D'Arbois, op. Heichelheim, in Pauly-Wissowa, R. Nantosuelta, col. Lambreghts op. Nantosuelta Pauly- Wissowa, R. The only mythological raven or crow from the Celtic regions of the Roman Empire which has been found with another god is depicted on a relief from Bonn. However, the Celtic god Cuchulainn did not recognize the power of Morrigan when she appeared to him as a beautiful maiden and offered her love to him.

    When Cuchulainn died in battle, a crow manifestation of Morrigan settled on his shoulder.

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    Aonghus, also known as Angus, Aengus, or Oengus of the Bruig, is believed to be the god of love and youth. He is associated with the valley of the River Boyne. His story is that he searched all of Ireland for a beautiful maiden. Aonghus eventually found Caer, who was with other maidens destined to turn into swans on November 1, the feast of Samhain.

    Aonghus transformed himself into a swan so he could be united with Caer, who followed him back to his palace on the River Boyne, now modern-day Newgrange. Some point to Dagda as her father. His attributions were a large club which had the dual power of killing men, as well as bringing them back to life, a set of two pigs — one roasting and one growing, a harp used to summon the seasons, and a great cauldron which provided an endless source of food.

    Thus, Cuchulainn was visited by the crow version of Morrigan upon his death. Now remembered in Christianity as St. Brigit or St. Bride, Brigit has several associations.

    What We Get From Celtic Mythology What We Get From Celtic Mythology
    What We Get From Celtic Mythology What We Get From Celtic Mythology
    What We Get From Celtic Mythology What We Get From Celtic Mythology
    What We Get From Celtic Mythology What We Get From Celtic Mythology
    What We Get From Celtic Mythology What We Get From Celtic Mythology
    What We Get From Celtic Mythology What We Get From Celtic Mythology
    What We Get From Celtic Mythology What We Get From Celtic Mythology
    What We Get From Celtic Mythology What We Get From Celtic Mythology

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